Founder of Korg Keyboards Dies

Almost every recording musician has been touched by a Korg product at sometime or another. it was always a pleasure to go into the music store and get a first-hand experience with the newest Korg keyboard. And Korg knocked one out of the park with the M1, which is still a revered synthesizer to this very day

Two days ago Korg announced the death of company Chairman Tsutomu Katoh who died after a long fight with cancer.

Korg President Seiki Kato released the following statement:

Since he founded Korg Inc. in 1963, Mr. Katoh has led our company with great talent, vision and leadership. He was loved and respected by all the employees and Korg family members, and he made a huge contribution to the lives of countless musicians around the world.

Katoh Invented the Modern Drum Machine

Love ‘em or hate ‘em the drum machine changed live and recorded music by providing a cheap and reliable beat in a wide variety of percussion instruments. Katoh was a night club owner by trade who experimented with a drum machine idea in the early 1960’s when he watched a popular musician on stage with  a simple beat-box.  Within a few months he and team of like-minded individual;s had created the first KORG product – the legendary Donca Matic.

More Korg Followed

Korg’s drum machines became the standard of the industry which made Katoh branch out into electronic keyboards and other devices. Korg developed the the first hand-held tuner – replacing the oscilloscope-based models – and integrated a keyboard and microphone for the amazing VC-10,  Vocoder. The MS-20 was a great two-oscillator synth.

With Wavedrum Korg made its mark on the  music workstation category, including with the M1, the best selling workstation/synthesizer ever created. The Korg piano samples were widely regarded as the best in the industry for many years making their stage pianos a regular on live stages and recording studios.

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The Gibson 335 Still Rocks

The Gibson ES 335 was the first in a series of semi-hollow, thin-line acoustic electric guitars. The original electric guitars were hollow bodied and great for the 1940′s and early ’50′s. But when amplification increased these guitars had a tendency to feedback. Fender’s slab guitar and Les Paul’s early version models solved this problem and added great sustain. However, the warm acoustic tones were sacrificed. The ES-335 model came about to find a balance between the warm tone and sustain without feedback.

The Gibson ES 335 is Not a Hollow Body

The compromise for the ES series is that it is not a true hollow body. Instead a solid wood plank runs through the center of the body with side “wings” that are hollow. One of the biggest innovations in the body design was that it supported by a slim neck that allowed complete access to the upper frets.

The classic design and basic price of under $275.0o made it a big seller and a fierce competitor to Gretsch’s legendary 6120 series, which cost much more. A standard model came with two chromed -plated, humbucker pickups with a “coil tap” switch to single coil output.

The Gibson ES Series Evolved

Gibson began using the popular Bigsby tailpiece made popular by the Gretsch guitars but also came up with the Vibrola, an option in its SG series too. This replaced the trapeze tail pieces but was not as efficient as the Fender floating tailpiece or the Bigsby.

The ES 345 was an evolution in guitar making as it featured a stereophonic sound.  The 355 models featured either a Bigsby or Vibrola tail piece.

Famous Gibson ES Models

  • Alvin Lee’s “Big Red” 335 - used on his famous guitar solo at Woodstock in I’m Going Home
  • B.B. King’s “Lucille” -  the green machine that is now a standard Gibson model.
  • Chuck Berry’s ES Guitars – Since 1958 Chuck Berry has used various ES moels but the 355 was his favorite.
  • Crowbar’s One-Two Punch – The dual guitar playing of John Gibbard and Rheal Lanthier in Canada’s premier 1970′s boogie-blues band
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Halifax Music by Kathy G

Music is a subjective topic but everyone agrees that live music trumps everything else. And nowhere else in Canada is live music such a part of everyday life as it is in Nova Scotia. Music is buried in the culture here, from folk to hard rock and from rap to symphony.

And no one person in Metro knows live music like Kat Gurholt, better known as Kathy G. And she doesn’t just attend live venues she immortalizes them in photos. In fact, when it comes to Halifax music, Kathy G. is the “Royal Photographer.”

Kat Does Flowers Too

By day Kat Gurholt goes to work as a professional flower arranger for a supermarket. In fact her floral arrangements are becoming legendary. Then, by night, she slings her camera equipment over her shoulder and shows up at live music venues across the province.

Kat’s Music Blog

Now that she is widely renown as a a music photog Kathy G. is making the next step – to music writer. Her blog is called HRM Music by Kat and it is causing quite a stir because her thousands of pictures now have a central point to be shown. Along with the pics Kat narrates them, providing a living history of the musicians and bands in the area.

So, get on over to her blog HRM Music by Kat and make some comments. She wide open to good suggestions!

Also go to:
Kat Gurholt – The Best Photographer in Nova Scotia

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Leo Fender’s Precision Bass

fender deluxe bass, fender american bassWhen the prototype of the first Fender Precision Bass was released in 1951 it revolutionized the way music was performed and the way a band looked. Up until then the upright bass provided the bottom end and, although a beautiful sound, the bass notes often got lost under the loud drums and other instruments in the band.

Called the “P-Bass”

In actuality the Precision Bass was  not the first instrument of its kind. Another solid body instrument, made by Audiovox Manufacturing Co. of Seattle, Washington, was debuted some 15 years before but never caught on with bass players. The reason for the success of the Precision Bass by Fender was that it was the first to be mass produced and marketed on a large scale. The “P” could also stand for portability because a traditional bass took up a lot of room in a car!

The Design of the Precision Bass by Fender

Years before the space race began Leo Fender’s Precision was truly remarkable and remains virtually unchanged to this very day.  The original Precision Bass  featured either an alder body or an ash, solid-slab body. It was fitted with a new pickup that was split-coiled and did not produce an electronic interference sound or “hum”, unlike previous ones which had a noticeable electronic noise.

The Fender Precision Bass Had Frets

Like all of Leo Fender’s creations in the 1950′s the neck was a single piece of maple with the fingerboard made from either rosewood or machined into the maple neck. What distinguished this instrument from the upright bass was that, unlike the smooth playing board of the traditional bass, it had 20 metal frets like a guitar, leading to the term “bass guitar.” This meant that any person with minimal guitar knowledge could quickly learn to play the songs of the day whereas an upright bass had a steeper learning  curve.

The introduction of the slab bass also lead to the production of large bass amplifiers featuring double 15″ speakers. This raised the volume of the bass and required the drums and other instruments to be miked to keep up. Guitar amps followed closely behind.

The “P-Bass” is Relatively Unchanged Today

Although Fender was bought out by CBS in 1964- and this changed the Stratocaster’s feel and sound for a while – the four-stringed Precision Bass remains almost unchanged. The original chrome pickup and heel guards  -”ashtray cover” -  have been left of the instruments . This was because players took them off for better playing ease) the split pickup design and four large paddle-like, machine heads remain pretty much the same. In addition, in 1973 the finger rest migrated from the bottom to the top of the pick guard when finger style bass replaced the pick as the style of choice.

And although today’s bass players require five and even six-string basses the traditional slab by Leo Fender is still a big seller.

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Carl Perkins: Go Cat Go!

“Carl Perkins’ songs personified the rockabilly era, and Carl Perkins’ sound personifies the rockabilly sound more so than anybody involved in it, because he never changed.”

- Charlie Daniels

johnny cash, jerry lee lewisThe amazing rock-a-billy sounds of Carl Perkins inspired a generation of great guitar players including Eric Clapton, George Harrison and John Fogerty. Perkins’ songs were recorded by The Beatles, Johnny Cash and, of course, Elvis whose biggest song was Perkins’ Blue Suede Shoes.

Perkins grew up hearing both white and black gospel songs. In fact, as a sharecropper’s son he would spent 12-14 hours in the field picking cotton with black workers, listening to their songs. Carl began learning guitar from a  field worker named John Westbrook, an old African-American. Other influences such as Roy Acuff and Bill Munroe would lead him to The Grand Ol’ Opry.

In 1955 Perkins met Sam Phillips and Blue Suede Shoes became a smash hit on January 1, 1956. He was part of the famous “Million Dollar Quartet” with Johnny Cash, Jerry Lee Lewis and Elvis Presley the name given to recordings made on Tuesday December 4, 1956 in the  Phillips’ Sun Record Studios in Memphis. Later that year he recorded the blues classic Matchbox and in 1958 he moved to Columbia Records.

Perkins had a great relationship with many of the famous musicians of the era and subsequent generations. A shrewd  businessman he protected his compositions. In fact the Perkins family still owns his songs, which are administered by former Beatle Paul McCartney.

Perkins died in 1998.

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