In the mid-’70’s I shed my electrics and began my first foray into acoustic music via the pub circuit. I bought a Yamaki 12-string but to mike the instrument was a pain because you had to stay close to the mike and even minor shifts changed the sound.A new product (new to us) was in the music store called a Barcus-Berry transducer pick-up. This device, unlike a standard pickup that you could clip to the sound hole and made it sound “electric” - captured the acoustic vibrations of the instrument. It was fastened to the saddle of the bridge by a sticky putty just below the treble strings. The pickup was then put through a battery-powered preamp before going into my Kustom 200 head.The Barcus-Berry piezo crystal transducer was not invented by a guitar player but a violinist, John Berry, and electronic technician, Les Barcus. This discovery ultimately led the first electric violin and the first piezo transducers for guitar, piano and concert harp.
I had several Barcus-Berry pickups until I finally had one permanently installed under the bridge. The sound was thinner than I wanted but beefed up a lot with a 10-band EQ. After ten faithful years I tried a new Ovation 12 -string and retired the Yamaki. It still hangs on my wall with my other axes and gets played a few times a year. But the Barcus-Berry has been dormant for a long time.





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