I always put prologues - the mini-chapter before Chapter One - in my novels and a lot of very good authors do . . . and don’t.Some use prologues as a backstory, informing the reader what happened before the story actually begins. Detractors claim that the writer eliminates suspense from the story, and that prologues are a waste of paper.Here is what Carolyn Jewel, a successful romance writer and writing instructor, has to say about the subject: “Prologues are often deliberately confusing and vague. The writer knows she can’t be straightforward because otherwise, the other 300 pages aren’t necessary. In which case, you don’t need a prologue.”
I don’t pretend to be as successful nor as novel-savvy as Carolyn. Her success speaks for itself. But here is how I use prologues:
- 1) The Salient: A Novel of the Great War - puts the reader right at the start of a battle, a teaser.
- 2) Rockets of the Reich - Backstory and teaser - I put in a tour by Adolph Hitler to a crashed American bomber. This is his only appearance but it teases the reader to read more and also gives an understanding on why Hitler wants to speed up the rocket program. Flipping back and forth to this wouldn’t work for me.
- 3) The Millennium Man - none
- 4) Beneath the Plains of Abraham - retells an historical event to set the stage for a modern-day occurence.
Each of these four novels has a different beginning and only one has a backstory. In each case the subject and the story dictated the inclusion, or exclusion, of a prologue. In my opinion, it’s the writers’ choice.





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